Cast & Crew. Discreet Charm of the Bourgeoisie portrays a feverish dreamscape of classism, repetition, fantasy, and nonsensical absurdity. The Ambassador of the small South American country of Miranda is trafficking in drugs with some French bourgeois friends of his. The Discreet Charm of the Bourgeoisie Alternative; Il fascino discreto della borghesia Alternative Italian; Cast & Credits. Certificate: M/PG The party is told that the coroner is coming soon, but they hurriedly depart. The Discreet Charm of the Bourgeoisie includes works by such famed artists as René Magritte, Paul Delvaux, Marcel Mariën, Jane Graverol, Rachel Baes, Edouard Mesens and Armand Simon Productspecificaties. A surrealist tale of a man and a woman who are passionately in love with each other, but their attempts to consummate that passion are constantly thwarted by their families, the Church, and bourgeois society. Look back at our favorite moments throughout the year, from award shows to up-close shots of celebrities. Written by Use the HTML below. Le charme discret de la bourgeoisie/The Discreet Charm of the Bourgeoisie (1972 France 102 mins). Vous écrivez? Keep track of everything you watch; tell your friends. The bourgeoisie characters are shown as false and hypocritical as they are funny to the viewers. [10] He also disliked the film's promotional poster, depicting a pair of lips with legs and a derby hat. France/Italy/Spain. Also, the dream sequences are made exceptionally.The film satirizes french bourgeoisie but as I said it is not really an acid satire but a surreal comedy/drama that doesn't really have to make sense. The narrative concerns a group of bourgeois people attempting—despite continual interruptions—to dine together. as Don Rafael. Later, at the Embassy of Miranda, Acosta meets with MM. The Discreet Charm of the Bourgeoisie is not about something in particular . Spanish surrealist Luis Buñuel directed ‘The Discreet Charm of the Bourgeoisie’ in 1972 towards the end of his career and in the middle of a fruitful two-decade At least one character's dream sequence is later revealed to be nested, or embedded, in another character's dream sequence. Delphine Seyrig Mme Thevenot. Get a sneak peek of the new version of this page. Once they arrive, Alice Sénéchal (Audran) is surprised to see them and explains that she expected them the following evening and has no dinner prepared. The guests at an upper-class dinner party find themselves unable to leave. Stéphane Audran Alice Senechal (as Stephane Audran) JC. More than four decades after he took a razorblade to an eyeball and shocked the world with Un chien andalou, arch-iconoclast Luis Buñuel capped his astonishing career with three final provocations— The Discreet Charm of the Bourgeoisie, The Phantom of Liberty, and That Obscure Object of Desire —in which his renegade, free-associating surrealism reached its audacious, self-detonating endgame. (1972). as Mme Thevenot. A recurring scene throughout the film, of the six people walking silently and purposefully on a long, isolated country road, is also the final sequence. A. O. Scott reviews Luis Bunuel's surrealist masterpiece "The Discreet Charm of the Bourgeoisie. Director: Luis Buñuel. He tells them about his childhood — that his parents were murdered by arsenic poisoning and that the culprit was never apprehended. Delphine Seyrig Cast. Several bourgeois friends planning to get together for dinner experience a succession of highly unusual occurrences that interfere with their expected dining enjoyment. [2] The film was made in France and is mainly in French, with some dialogue in Spanish. The Devil wants him to come down to Earth and is trying to seduce him. Several bourgeois friends planning to get together for dinner experience a succession of highly unusual occurrences that interfere with their expected dining enjoyment. Jean-Pierre Cassel auditioned for his role and was surprised when Buñuel cast him after simply glancing at him once. Here, different situations interrupt the characters from eating. [14], Canby, Vincent. Fernando Rey, Stéphane Audran, Delphine Seyrig, and Jean-Pierre Cassel head the extraordinary cast of this 1972 Oscar winner for Best Foreign Film.' Two days later, the bourgeois friends attempt to have lunch at the Sénéchals', but Henri and his wife escape to the garden to have sex instead of joining them. In typical Luis Buñuel fashion, The Discreet Charm of the Bourgeoisie surrealistically skewers the conventions of society. [6] It also resulted in Buñuel's being more comfortable on set, and in limiting his already minimal direction to technical and physical instructions. The film received the Academy Award for Best Foreign Language Film and a nomination for Best Original Screenplay. A series of surreal sequences that critique morality and society in a stream of consciousness style. 35 Oldest Oscar Winning Best Foreign Language Films, Ah! Add the first question. One of the friends takes this to mean that the Sénéchals know the police are coming and left to avoid arrest for their involvement in drug trafficking. Along the way, they hitchhike, beg for food, and face the Christian dogmas and heresies from different Ages. Now look at “The Discreet Charm of the Bourgeoisie” (1972), about people who are trapped on the other side of the mirror: They constantly arrive for dinner and sometimes even sit down for it, but are never able to eat. [8], Buñuel and Silberman travelled to the US in late 1972 to promote the film. Tweet Share The Discreet Charm of the Bourgeoisie (1972) In typical Luis Buñuel fashion, The Discreet Charm of the Bourgeoisie surrealistically skewers the conventions of society. They throw him out, but when he returns wearing his bishop's robes, they embrace him with deference. The Discreet Charm of the Bourgeoisie ( Le Charme discret de la bourgeoisie) is a 1972 French language surrealist film (with some Spanish) directed by Luis Buñuel and written by him and Jean-Claude Carrière. He ambushes and chastises her, then tells her to leave when she refuses his advances; his agents capture her and take her away. View production, box office, & company info. [10] Vincent Canby wrote in his 1972 review of the film, “In addition to being extraordinarily funny and perfectly acted, The Discreet Charm moves with the breathtaking speed and self-assurance that only a man of Buñuel’s experience can achieve without resorting to awkward ellipsis.”[11] Buñuel later said that he was disappointed with the analysis that most film critics made of the film. Buñuel applies his surrealist touch to a mundane event: a dinner party that may never come to pass. 1972. The Discreet Charm of the Bourgeoisie did win the Oscar for Best Foreign Language Film and Silberman accepted on Buñuel's behalf at the ceremony. Jon Lott Recommended for you. Mme. Helpful. Report abuse. Buñuel once joked that whenever he needed an extra scene he simply filmed one of his own dreams. Silberman was finally able to raise the money for the film in April 1972, and Buñuel began pre-production. Fernando Rey. Shortly afterwards, Buñuel met with film producer Serge Silberman, who told him an anecdote about having forgotten about a dinner party and being surprised to find six hungry friends show up at his front door. You must be a registered user to use the IMDb rating plugin. They are having an affair but are interrupted by a visit from her husband, whereupon she makes a convenient excuse and leaves with him. He explains that she is part of a terrorist group. 27 of 40 people found this review helpful. What a Peculiar, Long-Winded, Prolix, Verbose, Epic Title Is That? Verhaal. Cast & Crew. Sergey Skuratov: “The school was to become the gem of Garden Quarters. Tweet. The film received the Academy Award for Best Foreign Language Film and a nomination for Best Original Screenplay.[3]. The movie is complex and unusual and different from anything you've ever seen.Watch it! The ghost of the soldier's mother informed him that the man was not his real father, but his father's killer; they had dueled over his mother. In his usual shooting style, Buñuel shot few takes and often edited the film in camera and during production. He had more difficulty casting the female leads and allowed actresses Delphine Seyrig and Stéphane Audran to choose which parts they would like to play, before changing the script to better suit the actresses. During the meeting, Acosta sees a young woman selling clockwork-animal toys on the footpath outside the embassy. While visiting LA, Buñuel, Carrière and Silberman were invited to a lunch party by Buñuel's old friend George Cukor, and other guests included Alfred Hitchcock, Billy Wilder, George Stevens, Rouben Mamoulian, John Ford, William Wyler, Robert Mulligan and Robert Wise[12] (resulting in a famous photograph of the directors together, other than an ailing Ford). The Discreet Charm of the Bourgeoisie Related. Acosta is next visited by the young Maoist terrorist who has come to kill him. At the Academy's request, Buñuel posed for a photograph while holding the Oscar, but while wearing a wig and oversized sunglasses. [5][6], Buñuel cast many actors whom he had worked with in the past, such as Fernando Rey and Michel Piccoli, and catered their roles to their personalities. Le Charme discret de la bourgeoisie is een Franse filmkomedie uit 1972 onder regie van Luis Buñuel. 105 min. And Criterion always gives great films the treatment they deserve. Fernando Rey Don Rafael. The Discreet Charm of the Bourgeoisie (French: Le Charme discret de la bourgeoisie) is a 1972 surrealist film directed by Luis Buñuel[1] and written by Jean-Claude Carrière in collaboration with the director. Buñuel plays tricks on his characters, luring them toward fine dinners that they expect, and then repeatedly frustrating them in inventive ways. Buñuel was suddenly inspired, and Silberman agreed to give him a $2,000 advance to write a new script with Carrière, combining Silberman's anecdote with the idea of repetition. PF. Cast & Crew Acteur(s) Stéphane Audran Fernando Rey Stéphane Audran Bulle Ogier Delphine Seyrig Paul Frankeur Regisseur(s) Luis Bunuel Schrijver(s) Luis Bu?uel Thévenot and Sénéchal to discuss the proceeds of a large cocaine deal. because he felt he was repeating himself, Luis Buñuel met with screenwriter Jean-Claude Carrière and discussed the topic of repetition.